This wonderful antique large size mingei plate is known as an “uma-no-me zara” (“horse-eye” plate). It is a heavily potted, glazed stoneware plate with seven oval-shaped eye decorations freely executed in underglaze iron pigments on a crackled ground. Edo period, mid-19th century.

A horse-eye motif is similar to a bull’s eye a concentric circle design except that the elongated horse-eye is ovoid rather than round, and the innermost circle is against one long side rather than in the middle. Prior to applying a clear glaze on this plate, the design was painted with iron oxide. The color of the design is a handsome, variegated reddish-brown color. The bold spiral patterns, which were painted very quickly, are imbued with great energy. The thick foot rim is unglazed.

In the mid to late Edo period, horse-eye plates were one of the standard utilitarian products produced by the Seto kilns. Used for serving food, they appeared in restaurants and inns along the Tokaido Road from Kyoto to Edo, as well as in ordinary homes. Horse-eye plates are the quintessential example of Japanese mingei pottery, and no major Japanese folk art collection would be considered complete without one. They are bold, fresh, powerful and contemporary in feeling.

One of similar size to this one is illustrated together in “Quiet Beauty” by Robert Moes which chronicles fifty centuries of Japanese folk ceramics from the world famous Jeffrey Montgomery Collection. The Montgomery Collection is widely considered to be the most important trove of Japanese folk art outside of Japan.

CONDITION is excellent for this type of antique folk ceramic dish. Due to their long and frequent use, horse-eye plates typically show signs of wear, yet there are only insignificant old rim chips and surface lines on this one. The unglazed spots in the center ring are marks made by small ceramic points that separated the many plates that were stacked in the kiln during the firing process. There are no damages or repairs on this beautiful example. This uma-no-me zara is darkened by use and age, and it has a handsome original patina.

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Schneible Fine Arts has been dealing in authentic Japanese antique garden ornaments, lanterns and water basins for many years. Our president personally travels to Japan each year to meet his network partners who assist him in finding best examples. He personally inspects each antique ornament to ensure its old age, authenticity, and quality condition.

We are members of the North American Japanese Garden Association (NAJGA) specializing for ten years now in old and authentic Japanese stone garden ornaments.